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  Praise for Michael Cadnum

  “Not since the debut of Robert Cormier has such a major talent emerged in adolescent literature.” —The Horn Book

  “A writer who just gets better with every book.” —Kirkus Reviews

  “Cadnum is a master.” —Kirkus Reviews

  Blood Gold

  “A gripping adventure set during the 1849 California gold rush. Complementing the historical insight is an expertly crafted, fast-paced, engrossing adventure story full of fascinating characters. This is historical fiction that boys in particular will find irresistible.” —Booklist, starred review

  “This novel is fast paced.… The well-realized settings, which range from remote wildernesses to sprawling cities, create colorful backdrops for Willie’s adventure. An enticing read.” —School Library Journal

  “The prose is lively.… A spirited introduction to the gold rush for older readers.” —Kirkus Reviews

  Breaking the Fall

  Edgar Award Nominee

  “Tension hums beneath the surface.… Riveting.” —Booklist

  “Eerie, suspense-laden prose powerfully depicts the frustrating, overwhelming and often painful process of traveling from youth toward adulthood.” —Publishers Weekly

  Calling Home

  An Edgar Award Nominee

  “An exquisitely crafted work … of devastating impact.” —The Horn Book

  “Probably the truest portrait of a teenaged alcoholic we’ve had in young adult fiction.” —The Bulletin of the Center for Children’s Books

  “Readers … will never forget the experience.” —Wilson Library Bulletin

  “[Readers] will relate to the teen problems that lead to Peter’s substance abuse and the death of his best friend.” —Children’s Book Review Service

  “Through the prism of descriptive poetic images, Peter reveals the dark details of his sleepwalking life.… An intriguing novel.” —School Library Journal

  Daughter of the Wind

  “Readers will enjoy the sensation of being swept to another time and place in this thrill-a-minute historical drama.” —Publishers Weekly

  Edge

  “Mesmerizing … This haunting, life-affirming novel further burnishes Cadnum’s reputation as an outstanding novelist.” —Kirkus Reviews, starred review

  “A thought-provoking story full of rich, well-developed characters.” —School Library Journal

  “Devastating.” —Booklist

  “A psychologically intense tale of inner struggle in the face of tragedy.” —The Bulletin of the Center for Children’s Books

  Forbidden Forest

  “Cadnum succeeds admirably in capturing the squalor and casual brutality of the times.” —Kirkus Reviews

  Heat

  “In this gripping look at family relationships Cadnum finds painful shades of gray for Bonnie to face for the first time; in her will to grasp the manner and timing of her healing is evidence that she is one of Cadnum’s most complex and enigmatic characters.” —Kirkus Reviews

  “Compelling. Adopting the laconic style that gives so much of his writing its tough edge and adult flavor, Cadnum challenges readers with hard questions about the nature of fear and of betrayal.” —Publishers Weekly

  In a Dark Wood

  Los Angeles Times Book Prize Finalist

  “A beautiful evocation of a dangerous age … Readers who lose themselves in medieval Sherwood Forest with Cadnum will have found a treasure.” —San Francisco Chronicle

  “In a Dark Wood is a stunning tour de force, beautifully written, in which Michael Cadnum turns the legend of Robin Hood inside out. Cadnum’s shimmering prose is poetry with muscle, capturing both the beauty and brutality of life in Nottinghamshire. In a Dark Wood may well become that rare thing—an enduring piece of literature.” —Robert Cormier, author of The Chocolate War

  “[T]his imaginative reexamination of the Robin Hood legend from the point of view of the Sheriff of Nottingham is not only beautifully written but is also thematically rich and peopled with memorable multidimensional characters.” —Booklist

  “Cadnum’s blend of dry humor, human conflict and historical details proves a winning combination in this refreshing twist on the Robin Hood tale.” —Publishers Weekly, starred review

  “A complex, many-layered novel that does not shirk in its description of [the period], and offers an unusually subtle character study and a plot full of surprises.” —The Horn Book

  The King’s Arrow

  “The King’s Arrow is an adventure story full of color and romance, as resonant as a fable, told in clear, clean, swift prose. A wonderful read.” —Dean Koontz

  Nightsong: The Legend of Orpheus and Eurydice

  “Cadnum (Starfall: Phaeton and the Chariot of the Sun) once again breathes life into classic mythological figures.… Skillfully creating a complex, multidimensional portrait of Orpheus (as well as of other members of the supporting cast, including Persephone and Sisyphus), Cadnum brings new meaning to an ancient romance.” —Publishers Weekly

  “Another excellent retelling of one of Ovid’s mythical tales. This well-written version is a much fuller retelling than that found either in Mary Pope Osborne’s Favorite Greek Myths or Jacqueline Morley’s Greek Myths. The story is a powerful one, delivered in comprehensible yet elevated language, and is sure to resonate with adolescents and give them fodder for discussion.” —School Library Journal

  Raven of the Waves

  “[A] swashbuckling … adventure set in the eighth century, Cadnum (In a Dark Wood) shows how a clash of cultures profoundly affects two distant enemies: a young Viking warrior and a monk’s apprentice.” —Publishers Weekly

  “Convey[s] a sense of what life might have been like in a world where danger and mystery lurked in the nearest woods; where cruelty was as casual as it was pervasive; where mercy was real but rare; and where the ability to sing, or joke—or even just express a coherent thought—was regarded as a rare and valuable quality … Valuable historical insight, but it’s definitely not for the squeamish.” —Booklist

  “Hard to read because of the gruesome scenes and hard to put down, this book provokes strong emotions and raises many fascinating questions.” —School Library Journal

  Rundown

  “Deep, dark, and moving, this is a model tale of adolescent uneasiness set amid the roiling emotions of modern life.” —Kirkus Review

  “Cadnum demonstrates his usual mastery of mood and characterization in this acutely observed portrait.” —Booklist

  Ship of Fire

  “Brimming with historical detail and ambience, this fact-paced maritime adventure will surely please devotees of the genre.” —School Library Journal

  Starfall: Phaeton and the Chariot of the Sun

  “Cadnum (In a Dark Wood) once again displays his expertise as a storyteller as he refashions sections of Ovid’s Metamorphoses into a trilogy of enchanting tales. Readers will feel Phaeton’s trepidation as he journeys to meet his father for the first time, and they will understand the hero’s mixture of excitement and dread as he loses control of the horses. [Cadnum] humanize[es] classical figures and transform[s] lofty language into accessible, lyrical prose; he may well prompt enthusiasts to seek the original source.” —Publishers Weekly

  Taking It

  “Cadnum keeps readers on the edge of their seats.” —Publishers Weekly, starred review

  “Cadnum stretches the literary boundaries of the YA problem novel. This one should not be missed.” —Booklist, starred review

  Zero at the Bone

  “Riveting … [an] intense psycho
logical drama.” —Publishers Weekly, starred review

  “Much more frightening than a generic horror tale.” —Booklist, starred review

  “A painful subject, mercilessly explored.” —Kirkus Reviews

  Blood Gold

  Michael Cadnum

  FOR SHERINA

  Cold enough

  to write your name

  on the glass

  PART ONE

  LUST

  CHAPTER 1

  Rain fell through the jungle.

  And then, with a pulse of lightning, it began to come down all the harder, great sheets of water.

  My hat was soaked through in an instant, the mid-afternoon shadowy sunlight swallowed by cloud. Ben Pomeroy, my friend and traveling companion, patted his pack mule, water splashing from the animal’s hide. The beast stood with its ears bent forward to keep the downpour out of them. Ben looked back at me through the deluge with a smile, gave me a theatrical wave, and laughed at the madness of it all.

  Weary as I was, I had to laugh, too.

  The trail guides had told us we were one day east of Panama City, on our trek through ooze and slime, mules and men standing slack-jointed under the weight of the falling water. All of us were on our way to the goldfields of California, taking the less usual jungle route through the Isthmus of Panama instead of the land route across North America. We had endured an ocean voyage down the East Coast from Philadelphia and New York into increasingly thick, warm weather, and now we faced this cataract.

  It was already November in the gold-fevered year of 1849, and we were making slow progress, up to our boot tops in tropical muck, with a long line of fellow gold seekers in single file along the muddy trail. The colonel—responsible for our safety during the jungle leg of our trip—had warned us to stay on the path.

  Ben put his hand to his ear and pointed, signaling that he heard something of interest in the jungle. He called out something, too, but I couldn’t hear. He motioned me to follow, but I shook my head.

  “If you get lost in there—” I called, my voice faint in the rain. I’m not coming in after you, I did not bother to add.

  But I knew I would.

  Outlandish creatures had been creeping out of the underbrush all afternoon. I had crushed a centipede by accident, squashing it with my boot, and Aaron Sweetland, hurrying into the underbrush with another bout of diarrhea, had stepped on an iguana the size of a dog. The iguana had been uninjured, by all reports, but Aaron’s temper was not improved. Howler monkeys thronged the broad-leafed trees. Colonel Legrand had shot one that morning, and stretched him out beside the trail.

  Now it was late in the day and I hadn’t eaten anything but a mouthful of jerked beef for breakfast a thousand years ago.

  I called after my friend, but there was no further sign of him. I was worried, although the other men on the trail gave no sign of concern.

  “Ben, come back here,” I cried out as loudly as I could, my words drowned by the rain.

  I reached for the Bowie knife in my belt, loosening it in its scabbard. It would be ready if I had to rush in after Ben and save his life.

  I called again, but there was no answer.

  Dr. Merrill came back down the line of pack mules, rain dancing off the brim of his hat. “Is he ill?” asked the doctor.

  “No, he’s just—” He’s simply being himself, I would have added.

  “I wouldn’t leave the trail, unless there was an emergency,” said the youthful doctor, concern in his voice.

  I was uneasy, wondering what was taking Ben so long. Maybe he had been taken ill with malaria, yellow jack, or some jungle fever I dared not name.

  Too long.

  Ben was taking too long.

  I had no choice—I slipped into the undergrowth after him.

  CHAPTER 2

  Leaves spouted water down my neck, tree roots and generations of rotted plant life slippery under my boots. I had to hang on to twigs and glossy leaves to keep from stumbling, every glossy, broad green span of vegetation spouting water.

  Ben struggled, his boot trapped between two sinuous roots.

  I tried to wrestle his leg free, but his ankle was wedged hard, and the tree overhead gave a subtle, deep-throated groan. All day we had been stumbling over huge tropical behemoths, trees that had fallen across the trail. It took no great imagination to see that in a few heartbeats Ben could be crushed.

  “I heard a parrot calling,” he said.

  “Did you?” I said, in a tone of exasperation, realizing that even if I slit his boot he would still be trapped—his foot had plunged all the way into the subsoil.

  “I just had to take a look,” he added apologetically.

  A pair of wings burst upward, the bird shrilling wordlessly as he flew, flapping off through the rain. He was joined by a flock, an insane choir of birds, looking wet and brilliant, a ceaseless, cackling jubilation that brought a certain happiness to my heart.

  The tree overhead gave another threatening groan.

  “Willie,” said Ben, continuing his shaky explanation, “that bird is just like Reverend Josselyn’s.”

  I answer to William, Willie, or Will. I am named after my father’s older brother, the same William Washington Dwinelle who was killed while rescuing passengers on the steamboat Algonquin, in the winter of 1830. My parents had both died of typhoid, and I was being raised on the stew-and-dumpling fare provided by my mother’s younger sister, my aunt Jane. I missed my parents badly, but with every passing season they were becoming more like legendary people who had lived in a bygone era, while each day thrust me forward into new prospects.

  I didn’t like to think of home just then—it seemed so far away. Reverend Josselyn’s bird could yell Isaiah, the reverend’s Christian name, the only word he knew, and give off a strange, very human chuckle. I missed the bird, the way it would take a piece of toast out of a visitor’s hand, and I wished I was there right now in the parlor with the clergyman and his daughter Elizabeth.

  “Very much,” I agreed.

  I had my knife in my hand, and sawed at the great green roots.

  I liked Ben, but sometimes I wished he wasn’t so impulsive, always hurrying off to look at some amazing sight. We made our way back to the trail, Ben walking with a slight limp, and I hated the sound that rushed after us through the undergrowth, the tree collapsing, bird and animal life fleeing into the recesses of the jungle scrub.

  All the mules in the long line of pack animals had come to a stop, the men hunched over waiting for a signal to come down from ahead telling us what we were going to do. We had been afraid of bandits all that day—ever since a traveler heading east, one of the few individuals traveling that direction, had reported men armed with shotguns in the jungle, waiting for a mule train rich enough to be worth the trouble.

  No one besides Ben made a move to walk off into the foliage—except to answer a call of nature. A special case was poor Aaron Sweetland, who had the flux, and a fever that made him weak. Every one of us had a fondness for Aaron, who had the only decent singing voice among us. Dr. Merrill had given him salts, and Richardson’s Bitters, and even had him chewing charcoal by the spoonful, but no medicine worked. Even now Aaron was struggling off into the jungle yet again, unbuttoning his trousers.

  The natives of the Isthmus of Panama carried machetes, long tools much the same as the cutlass, and rumor had rippled up and down the line of travelers that two Virginians had been found dead with their throats cut, half eaten by ants beside the Chagres River. It was true that the Spanish-speaking people I had met in Chagres town, and all along the trail, had been gracious and businesslike, but stories were told of violent jungle dwellers who hated fortune-seeking Yankees.

  Ben had read a book about the jungles back in Pennsylvania before we left many weeks before. He had reported that the isthmus was only three days’ travel across, and much of it by river, but the land route that completed the journey west was “through a territory marked by the jaguar, a flesh-eating cat, and the anaco
nda, one of nature’s largest and most powerful serpents.”

  Now Colonel Legrand came back down the line, giving out plugs of chewing tobacco to the men who wanted it. He tugged a leather strap now and then to keep luggage secure on the backs of the mules.

  Legrand was our trail guide, his services provided as a part of the price of our ticket with the steamship company, and he was the only man among us with any fighting experience, having been a part of Zachary Taylor’s army invading Mexico in 1846. It was said that he had killed an officer of the Mexican army with a bayonet thrust, and he looked like a man who could have done it—sweating, sunburned, his cheek fat with a plug of molasses-cured tobacco.

  “Are you men all right?” asked the colonel, looking me in the eye.

  I nodded, my hat heavy with water. The rain had slowed down. I took a cut of the black, sweet-flavored leaf the colonel offered me with thanks, and when I had it tucked securely in my cheek, I asked, “We’re going to bed down here?”

  I tried to sound manly and indifferent to where I spread my blanket, but in my eighteen years on earth I had not imagined such a hot, wet, inhuman place.

  “I don’t think anyone mentioned beds,” said Colonel Legrand, with a laugh. He wasn’t a real colonel, I suspect—people just called him that out of respect. “Neither one of you,” he added, “would be reckless enough to wander off into the underbrush, would you?”

  “No, sir,” answered Ben. He favored his right leg—the one that had been trapped—keeping his weight off it.

  The trail guide called out hey-up, and the mules stirred, plodding forward. Their hooves were unshod for service on this jungle track; they could pick their way through roots and mud much better than humans.

  And for an instant the romance of all this swept me, and I was happy. Ben was of the opinion that I am too changeable, but surely there are worse traits. With the remnants of rain echoing like applause off the broad leaves, and the smell of spice in the air, I spat tobacco juice and was about to feel pretty sure of myself again. I wondered if maybe Ben and I could get accustomed to exploring unknown regions of the earth, and other such adventures, after we had found the scoundrel we were hunting in California.