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  Praise for Michael Cadnum

  “Not since the debut of Robert Cormier has such a major talent emerged in adolescent literature.” —The Horn Book

  “A writer who just gets better with every book.” —Kirkus Reviews

  “Cadnum is a master.” —Kirkus Reviews

  Blood Gold

  “A gripping adventure set during the 1849 California gold rush. Complementing the historical insight is an expertly crafted, fast-paced, engrossing adventure story full of fascinating characters. This is historical fiction that boys in particular will find irresistible.” —Booklist, starred review

  “This novel is fast paced.… The well-realized settings, which range from remote wildernesses to sprawling cities, create colorful backdrops for Willie’s adventure. An enticing read.” —School Library Journal

  “The prose is lively.… A spirited introduction to the gold rush for older readers.” —Kirkus Reviews

  Breaking the Fall

  Edgar Award Nominee

  “Tension hums beneath the surface.… Riveting.” —Booklist

  “Eerie, suspense-laden prose powerfully depicts the frustrating, overwhelming and often painful process of traveling from youth toward adulthood.” —Publishers Weekly

  Calling Home

  An Edgar Award Nominee

  “An exquisitely crafted work … of devastating impact.” —The Horn Book

  “Probably the truest portrait of a teenaged alcoholic we’ve had in young adult fiction.” —The Bulletin of the Center for Children’s Books

  “Readers … will never forget the experience.” —Wilson Library Bulletin

  “[Readers] will relate to the teen problems that lead to Peter’s substance abuse and the death of his best friend.” —Children’s Book Review Service

  “Through the prism of descriptive poetic images, Peter reveals the dark details of his sleepwalking life.… An intriguing novel.” —School Library Journal

  Daughter of the Wind

  “Readers will enjoy the sensation of being swept to another time and place in this thrill-a-minute historical drama.” —Publishers Weekly

  Edge

  “Mesmerizing … This haunting, life-affirming novel further burnishes Cadnum’s reputation as an outstanding novelist.” —Kirkus Reviews, starred review

  “A thought-provoking story full of rich, well-developed characters.” —School Library Journal

  “Devastating.” —Booklist

  “A psychologically intense tale of inner struggle in the face of tragedy.” —The Bulletin of the Center for Children’s Books

  Forbidden Forest

  “Cadnum succeeds admirably in capturing the squalor and casual brutality of the times.” —Kirkus Reviews

  Heat

  “In this gripping look at family relationships Cadnum finds painful shades of gray for Bonnie to face for the first time; in her will to grasp the manner and timing of her healing is evidence that she is one of Cadnum’s most complex and enigmatic characters.” —Kirkus Reviews

  “Compelling. Adopting the laconic style that gives so much of his writing its tough edge and adult flavor, Cadnum challenges readers with hard questions about the nature of fear and of betrayal.” —Publishers Weekly

  In a Dark Wood

  Los Angeles Times Book Prize Finalist

  “A beautiful evocation of a dangerous age … Readers who lose themselves in medieval Sherwood Forest with Cadnum will have found a treasure.” —San Francisco Chronicle

  “In a Dark Wood is a stunning tour de force, beautifully written, in which Michael Cadnum turns the legend of Robin Hood inside out. Cadnum’s shimmering prose is poetry with muscle, capturing both the beauty and brutality of life in Nottinghamshire. In a Dark Wood may well become that rare thing—an enduring piece of literature.” —Robert Cormier, author of The Chocolate War

  “[T]his imaginative reexamination of the Robin Hood legend from the point of view of the Sheriff of Nottingham is not only beautifully written but is also thematically rich and peopled with memorable multidimensional characters.” —Booklist

  “Cadnum’s blend of dry humor, human conflict and historical details proves a winning combination in this refreshing twist on the Robin Hood tale.” —Publishers Weekly, starred review

  “A complex, many-layered novel that does not shirk in its description of [the period], and offers an unusually subtle character study and a plot full of surprises.” —The Horn Book

  The King’s Arrow

  “The King’s Arrow is an adventure story full of color and romance, as resonant as a fable, told in clear, clean, swift prose. A wonderful read.” —Dean Koontz

  Nightsong: The Legend of Orpheus and Eurydice

  “Cadnum (Starfall: Phaeton and the Chariot of the Sun) once again breathes life into classic mythological figures.… Skillfully creating a complex, multidimensional portrait of Orpheus (as well as of other members of the supporting cast, including Persephone and Sisyphus), Cadnum brings new meaning to an ancient romance.” —Publishers Weekly

  “Another excellent retelling of one of Ovid’s mythical tales. This well-written version is a much fuller retelling than that found either in Mary Pope Osborne’s Favorite Greek Myths or Jacqueline Morley’s Greek Myths. The story is a powerful one, delivered in comprehensible yet elevated language, and is sure to resonate with adolescents and give them fodder for discussion.” —School Library Journal

  Raven of the Waves

  “[A] swashbuckling … adventure set in the eighth century, Cadnum (In a Dark Wood) shows how a clash of cultures profoundly affects two distant enemies: a young Viking warrior and a monk’s apprentice.” —Publishers Weekly

  “Convey[s] a sense of what life might have been like in a world where danger and mystery lurked in the nearest woods; where cruelty was as casual as it was pervasive; where mercy was real but rare; and where the ability to sing, or joke—or even just express a coherent thought—was regarded as a rare and valuable quality … Valuable historical insight, but it’s definitely not for the squeamish.” —Booklist

  “Hard to read because of the gruesome scenes and hard to put down, this book provokes strong emotions and raises many fascinating questions.” —School Library Journal

  Rundown

  “Deep, dark, and moving, this is a model tale of adolescent uneasiness set amid the roiling emotions of modern life.” —Kirkus Review

  “Cadnum demonstrates his usual mastery of mood and characterization in this acutely observed portrait.” —Booklist

  Ship of Fire

  “Brimming with historical detail and ambience, this fact-paced maritime adventure will surely please devotees of the genre.” —School Library Journal

  Starfall: Phaeton and the Chariot of the Sun

  “Cadnum (In a Dark Wood) once again displays his expertise as a storyteller as he refashions sections of Ovid’s Metamorphoses into a trilogy of enchanting tales. Readers will feel Phaeton’s trepidation as he journeys to meet his father for the first time, and they will understand the hero’s mixture of excitement and dread as he loses control of the horses. [Cadnum] humanize[es] classical figures and transform[s] lofty language into accessible, lyrical prose; he may well prompt enthusiasts to seek the original source.” —Publishers Weekly

  Taking It

  “Cadnum keeps readers on the edge of their seats.” —Publishers Weekly, starred review

  “Cadnum stretches the literary boundaries of the YA problem novel. This one should not be missed.” —Booklist, starred review

  Zero at the Bone

  “Riveting … [an] intense psychologi
cal drama.” —Publishers Weekly, starred review

  “Much more frightening than a generic horror tale.” —Booklist, starred review

  “A painful subject, mercilessly explored.” —Kirkus Reviews

  Taking It

  Michael Cadnum

  For Sherina

  Quietly—

  there are doves

  1

  The thing that made I. Magnin exciting was that the floorwalkers, the detectives who made sure you paid for everything you walked away with, were hard to spot.

  In most department stores the security people carry paper shopping bags, except the bags are mostly empty. There is just a little weight at the bottom, a radio. You can tell if you know what to look for. Normal stores have security people dressed in such plain clothes you wonder how they can afford to do any shopping. But the point is, at I. Magnin you don’t wonder. You don’t see them.

  In I. Magnin they have house detectives who look great, cuff links, tailored suits. Plus they have the usual kind, tourist-looking couples in rumpled clothes, badly shaven men with the earmark shopping bags. You don’t know who to watch out for, and that makes it exciting.

  I promised myself I was just looking. Look at all that perfume, I said to myself. I squirted some on my wrist. I smiled at the clerk. I smelled myself. Nice.

  I was not going to do it. I had promised myself months before. No more. I was finished. Besides, you get rusty at it. It gets too dangerous.

  I wasn’t even thinking about it.

  I was going to meet Mother at Nordstrom’s in about forty-five minutes to pick out clothes for her to wear on her trip to Banff with Adler, a slightly delayed honeymoon, and all I could think was how much time I had to kill. She had told me I could buy one of those skirts I had seen in the Bergdorf Goodman catalog, calico, one of those flowing, flowery things I used to like last year, which shows how far from each other my mother and I were.

  What was I supposed to do, look at the pigeons? Because if BART had not been on time, and the train late or stuck under the Bay the way it usually is, then I wouldn’t have been in that situation.

  So I decided it wouldn’t hurt. I wasn’t kidding myself. It wasn’t that cigarette smoker’s stone lie: hey, just one, that’s all. This was really just for old times’ sake, just for fun.

  Department stores have that wonderful smell, powder puff and floor wax and maybe a little chocolate, although sometimes it’s hard to say where the candy aroma comes from. Some stores don’t even sell chocolates, but the smell is there. And the smell of new things, clothes no one has ever taken to the dry cleaners.

  Mom had just married Adler Harrison, the world’s sweetest man. Mom didn’t have the sense to know all you wore on a vacation in Alberta is jeans and walking shoes. Mom gets nervous, while I take after Dad. We get nervous, too, but we like it.

  I asked for the ladies’ room, saying “women’s lounge,” making it sound like I wanted to go lie down and sip a potion and watch the banks of the Nile drift by. I slipped in after making it look like I had trouble finding it, hurrying through cosmetics, toward women’s shoes, letting a look of exasperation explain my wandering.

  I washed the perfume off my hand as well as I could. I looked into the mirror, my green eyes looking back out at me showing no emotion, no excitement at all. Me, a step ahead of everybody else. I look older than I am, at the butt end of my junior year of high school. I look like someone well into college, Daddy’s girl from USC, doing some pre-Paris shopping.

  I’m not one of those people who give themselves away as soon as they start talking. I know how to sound as smart as I look. The thing to do is don’t change your expression, and look at everything like you saw a better one last week in London.

  I used to dress all-natural, high-fashion farm girl. Stu said he liked that, but I think it was partly because a full skirt gets hiked up easier than black leather, like I used to wear back in the first months of my sophomore year. Today I was all-silk, navy blue blouse and skirt. Tasteful, a psychology major, maybe, but thinking about law school.

  Some thrill. I made a deal with myself last time, but that was because I had to. I promised myself I would stop. It had gotten so bad the Emporium had someone meet me at the door every time I ran in to buy pantyhose. They never called the cops. I never gave them a chance for that, and besides, Dad would skin them alive.

  I decided to make it easy on myself by picking out one of the big silk scarves, a teardrop pattern with what I took to be a hand-knotted fringe. I fell in love with a cabled cashmere sweater, and made a show of myself holding up the navy and then the green, the tissue paper falling out of each.

  I held up the sweaters, turning from side to side, shaking my head. Mirrors fascinate me, the way the image stands in a world much smaller than the one we inhabit. We think: There I am.

  I made a show of giving up on the sweaters, watching the shoppers and the clerks in the three-way mirror. Nobody was watching.

  2

  People have no idea how much you can get away with. They never even try, like people living beside a lake they never even go wading in, much less swimming.

  Stores keep an eye on jewelry. They put it out on that little velvet tray, letting it spill into the light so you can admire the quality, or recognize the lack of it. But jewelry is just the right size if you want to have some fun, and I had an eighteen-karat Venetian bracelet in my hand, my fingers hooked so the overpriced halo hung there, catching the eye of the clerk in charge.

  “I want to see the earrings,” I said, pointing to the ones with rocks the size of horses’ teeth.

  There was an instant of pleasure. I knew. They had me. One of these people had looked in my direction once too often, passed by once again just a little too slowly. The clerk looked over my shoulder, a thin woman with the makeup on one eye just a little more hastily applied than on the other, making her right eye look slightly smaller.

  “Not today,” I said. “I’m sorry.”

  “That’s quite all right,” she said, smiling, good at it, in on what was happening.

  Now the main effort would be to get me out of the store, out on the sidewalk, out in the sunshine across the street from Union Square, where the script would be very predictable.

  The man in the navy pinstripe or the man in the white jogging shoes would open a door for me. And then the difficult part for them would be to cause the offending article, the stolen item, to tumble out of my person without seeming to touch me. They do it all the time, and what a pickpocket does routinely is so much more challenging.

  I circled, stalling. I trailed my fingers among neckties, fingering men’s undies, big silk ones with a Hawaiian motif, nothing like what Stu would wear, a little outrageous for this store. I admired the way perfume comes in so many shapes. No, I said with a smile, I already sampled some.

  I was waiting, wondering how many security personnel would be in on the setup, and they were good. There was only one I was sure of, the man in the blue blazer. These people were all directed by someone sitting at a TV screen, and they were doing the job the way it ought to be done.

  I pushed against the door, feigned mild surprise at the assistance shown me by someone apparently on his way in. What a disappointment—it was one of the scuzzy detectives, white Levi’s and a button-collar shirt with the collar unbuttoned. He was a big man. Maybe they expected trouble, a teenager who was half banshee, all fingernails and maybe even a weapon, a nail file Super Glued to a stick.

  The man was sucking a breath mint, and stopped sucking only for a moment, when he put a finger up my sleeve, and tugged.

  You could tell just before he did it that he knew he was making a mistake. His finger crooked just a little, and had the look of a finger about to push the wrong button, or, in this case, reach in and find nothing. He gave it a good try. His finger pinched and tugged, felt in a little farther, and tugged again, but all he found was the sleeve of my navy blue silk blouse.

  I fell back, like a person pushed hard.
This was an exaggeration, pretty good acting. Then I bore down on the mint sucker, and it would have been technically legal if I had done something in self-defense, a push of my own, a woman fighting back against open animal behavior. I took a course after school, and I know what to do, where the outline of the body was decorated with red arrows: Kick here.

  We were surrounded by people in suits, and you could tell what they were thinking. They were thinking: Don’t touch her. Don’t lay a hand on this little woman with the blouse that suddenly slipped down off one shoulder, bra strap and wide-eyed innocence, and shock, and tears.

  They were thinking, whatever else we did we didn’t touch her. Did we?

  The manager was a woman with fine bones and high cheeks, someone who didn’t have to pretend to be bored.

  “We get wealthy women in here, well-known, good people. You might be surprised. They try to leave with cosmetics, a pair of gloves. Nothing of any particular value. They want to be caught, I think.”

  I smiled, waiting. I was a little irritated because she was not irritated, or embarrassed. It’s no fun if you don’t watch them squirm when they realize who I am.

  She continued, “It wasn’t the scarf. It wasn’t the bracelet. It was the bit with the sweaters.”

  Bracelet, I thought. Who would want one of those? “My Dad won’t like this,” I said.

  “I know,” she said thoughtfully.

  “You have to train your people to be more careful.”

  There was a knock, and the navy and the green sweaters were both brought in by the scuzzy detective. He even gave me a nod, but he didn’t leave.

  The manager unfolded the green sweater and shook out what looked like the teardrop-pattern scarf. “You like to tease, don’t you?”

  She was indulging herself now. She had that mix of refinement and experience that allowed her to say whatever she wanted. I have an aunt like that, my mother’s older sister. My aunt wouldn’t marry anyone like Adler, who thought a trip to Lake Louise was great fun.

  The manager was smiling, being nice about it. Besides, she recognized a change in me. I was suddenly not so self-assured.